You may already be doing some of the following, but now’s a good time to evaluate your House of Worship’s system, and start putting plans in place on how to cope with gear Definition: But being prepared for these problems can make the difference between a disaster and a minor annoyance. It’s not possible to avoid all potential problems mechanical and electrical devices will fail, some sooner than others. And stuff happens during worship services that can put a quick end to even the most inspiring sermon. Airplanes have manual overrides because, well, stuff happens. With computers, you back up to hard drives (you are doing that.right?). When cooking, you turn on a timer to make sure you don’t burn dinner. No one should drive a car without insurance. These 10 backup strategies just may salvage your service. But, when solving sound problems, we should always start at the source and work our way back to the mixer.Your information resource for Pro Audio, Video, Lighting, and Musical Instruments If you feed your mixer crap, you are going to get crap.Īm I saying you should never use EQ and compression? Of course not. If your sound is not right at the source, there is no amount of signal processing that can fix it. You might also enjoy: The Most Important EQ Techniques for Church Sound Crap in, crap out. And, if you don’t understand something, it is generally best not to use it until you do. Of course, you should never use these things just because they are available, but to solve a specific problem. Only at this point are you ready to start using things like EQ and compression to improve the sound. Do you understand gain and how to set it correctly? If not, see this post: How to Set the Gain on Your Mixer Gain (or trim) is often the most overlooked knob on the mixer. Do you understand balanced vs unbalanced? Are you using direct boxes when needed? Are you using quality cables or the cheapest cable you could find?įor help understanding cables, see this post: The Ultimate Guide for Choosing Audio Cables ![]() Keyboards should be sending a nice strong signal.Īre you using the correct drum microphones? Have you tested different microphones on each vocal to see which sounds the best? Each vocal is different and may sound better through a different microphone.Ĭables can make or break your sound. The acoustic guitar should have the on-guitar EQ set to flat and the volume all the way up for a strong signal. Electric guitars should have a great sound coming from their amp and the microphone placed correctly.ĭrums should have heads that are in good shape and tuned correctly. Vocals should be singing out and holding the microphone correctly (no more than 1” from their mouth). Don’t use compression to compensate for a vocal who doesn’t know how to control their dynamics or hold the microphone correctly. In other words, don’t use EQ to compensate for old drum heads that haven’t been properly tuned. The mixer is at the end of the signal path and shouldn’t be used to fix ‘at the source’ problems. When something doesn’t sound quite right, the first thing to look at is where the sound is originated – the source. ![]() So, what is the key to great church sound? Get it right at the source. ![]() ![]() We are prescribed medications to get rid of symptoms when the root cause of the issue is ignored. We run to the mixer to fix problems that arise while ignoring the most important thing. When it comes to great sound, there is one thing that often gets overlooked – especially in churches.
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